[Pablo Lehmann]'s work is one of a kind, a cross of text and sculpture:
fragile and delicate Works, definitely brilliant. All his value lays
in the strength of the ideas that generate it. Lehmann pierces, cuts
and frays printed and handwritten papers, literary and philosophical
papers, creating thin and winding wefts. The language's
deconstruction and its transformation into image in a constant
exercise of semantic dematerialization, establish a deep and constant
production about the relationship between metalanguage, layers of
interest and [aesthetic] volume. By using texts of Borges, Derrida and
Lacan, the artist has created a series of works that have given him
recognition beyond the Argentinean border.
Natalia
Arcos Salvo
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